Deborah​ K. Tash​​/White Wolf Woman

In Her Image Studio

Vision For Spirit Box Project

The Spirit Box project is meant to give each individual who experiences it an encounter with the reality of their own essence as spirit embodied and their interconnectedness with every other person on the planet. It is meant to shift the consciousness of each participant in a profound and lasting way. It is my intention to add my drop of water to the increasing consciousness of the reality of the Christos spirit rising in each of us as this wave of spiritual awakening gains momentum all over the planet. We are at the beginning of a new epoch; the Age Of Aquarius, The I Know.

The answers to our multiple planetary crises are not simply material. Religions, science and political systems are not sufficient for the task without the unified intentions of every sentient being added to them. Rather, in each individual’s relationship with the Divine incarnate within them and their increasing consciousness of all of life’s interrelatedness lies the seed of healing and transformation; on an individual basis, for humanity as a whole, and for our precious jewel of a planet.

The first element for changing consciousness is the pyramid. Inside the Transamerica pyramid in the lobby is a temple built on Vastu principles of architecture. The temple and these architectural principles are the second element for shifting your consciousness.

The third consciousness raising element will be music designed for that purpose piped in inside the temple. Once you step inside you find forty totem animal mask paintings; Spirit Voices Of Light/Totem Animal Allies series displayed on the surrounding walls. There will also be forty lighted glass pedestals with the poems which inspired the paintings etched into the top of each glass pedestal positioned next to the corresponding painting.  A sculpture titled The Shadow Of My Former Self will be displayed furthest from the entrance to the temple. It will be positioned at the entrance/exit of the labyrinth as a guardian figure.

The fourth element for changing your consciousness; walking the labyrinth, balances the left and right hemispheres of the brain resulting in increased inner peace and harmony and preparing you for the next step; Spirit Box.

The fifth consciousness raising element. When you reach the inner circle of the labyrinth where Spirit Box sits, you will find that it is a 10’ to 15’ high box covered in pinstripe grey cloth with a step or series of steps on the front with a window or portal to the inside. Inside the box the walls are painted with a cloudscape motif overlaid with a molecule/bubble pattern. In each of the inside corners there will be a large crystal to assist in focusing the energy generated by being in the center of the labyrinth.

Inside, in the middle of the box, will be a holographic representation of a body of light standing with partially outstretched arms similar to the classic statues of Christ. The face of the hologram will remain blank until the viewer has been standing on the step for several seconds. Then a mechanism (VR, holographic, other?) will be activated which will begin showing a sequence of faces from all those who have previously looked into the box projected onto it culminating in capturing your face as the final projection.

You will have a maximum of five minutes to be with your image as a body of light so that there is time to breathe into the  experience and it can be assimilated. There will be resting space around the box for those who wish to remain in the middle of the labyrinth for a longer period of time. Once you’ve completed your time in the center of the labyrinth, you walk the second half of the labyrinth and exit it. You can leave the temple or stay to view the paintings.

All of the individual pieces of art inside the temple will be available for sale, as well as music and copies of the graphic novel, The Gods In The Mirror/An Erotic Adventure Tale of Spiritual Transformation, outside of the temple, in the lobby area.

Spirit Box Project 02NOV20 Deborah K. Tash ©